Free Baobinga & Guido Riddim Yo
January 24
Guido recently gave away a bunch of tunes over on his soundcloud, including this collaboration with yours truly....

Slit Jockey have come correct with their first full-length: a boisterous collection of big spacey bangers by Sduk and friends. Fallin is most definitely a purple affair, the verse providing a gutsy swagger which almost cries out for a vocal, except the bassline kind of fills that void already - similarly the melodic chorus sounds incredibly vocal without actually containing a voice. Starkey's helping hand on Oahshens pays off in an absolute shock-out of processed synthesizer ecstasy - what did you expect from the granddaddy of intergalactic grimestep?
On some of the tracks - particularly the harder, faster cuts - ideas are sometimes expressed too brashly; I feel that the often quite emotive melodies could have been perhaps have been more effective if handled with more delicacy, and the same goes for the beat production. For instance, I feel that the rumbling, spacious, physicality of second track Fog, with a choice and complimentary synth accompaniment, would have been a far stronger opener than Valid, whose incessant held notes of crisp mid-range bass seem to lay it on too thickly. In between the slightly ill-combined trap snares and gabber kicks of All City, the fanfare of various synthetic instruments and bleeps is actually quite powerful, one of the strongest moments here melodically.
For me, many of the best bits are the sparser or slower-paced ones. The oddball sound palette of Vibrent Grey does the business with real hints of that rude and wide-eyed grime sound the likes of Danny Weed pushed; wonderfully naive, even down to the poorly spelled title. Error is a real favourite, the lack of any real bassline actually feeling really welcome, and allowing one to enjoy the deft arrangement of disjointed orchestral samples, the same kind of way Mike Skinner used them when he was good. Similarly, Beyond offers another breathing space, soaking the listener in gorgeous swirls of nicely offkey chord progressions and astringent harmony. Final tune Out is one of my favourite parts of the LP, even though it only clocks in at two minutes in length. Future-sounding boogie, combined with rolling 808 snares, tenor moans and grime claps shouldn't sound this good together. The confidence and strangeness here is a perfect example of what makes Sduk's sound so much fun, unashamedly combining sounds, moods and ideas with gusto.
Hear clips of the whole album: http://anythingcouldhappen.net/
Buy: http://boomkat.com/downloads/477577-sduk-anything-could-happen / http://itunes.apple.com/gb/album/anything-could-happen/id488166924
The cover art is designed by Sduk himself. Check out his crew (they run parties in London) @ http://pipedownson.com
====
Gwyn
Comments [0]